Showing posts with label Myth. Show all posts
Showing posts with label Myth. Show all posts

Sunday, November 16, 2014

The Creation Story

The Creation Story
Tagalog

When the world first began there was no land, but only the sea and the sky, and between them was a kite (a bird something like a hawk). One day the bird which had nowhere to light grew tired of flying about, so she stirred up the sea until it threw its waters against the sky. The sky, in order to restrain the sea, showered upon it many islands until it could no longer rise, but ran back and forth. Then the sky ordered the kite to light on one of the islands to build her nest, and to leave the sea and the sky in peace.
Now at this time the land breeze and the sea breeze were married, and they had a child which was a bamboo. One day when this bamboo was floating about on the water, it struck the feet of the kite which was on the beach. The bird, angry that anything should strike it, pecked at the bamboo, and out of one section came a man and from the other a woman.

Then the earthquake called on all the birds and fish to see what should be done with these two, and it was decided that they should marry. Many children were born to the couple, and from them came all the different races of people.

After a while the parents grew very tired of having so many idle and useless children around, and they wished to be rid of them, but they knew of no place to send them to. Time went on and the children became so numerous that the parents enjoyed no peace. One day, in desperation, the father seized a stick and began beating them on all sides.

This so frightened the children that they fled in different directions, seeking hidden rooms in the house -- some concealed themselves in the walls, some ran outside, while others hid in the fireplace, and several fled to the sea.

Now it happened that those who went into the hidden rooms of the house later became the chiefs of the islands; and those who concealed themselves in the walls became slaves. Those who ran outside were free men; and those who hid in the fireplace became negroes; while those who fled to the sea were gone many years, and when their children came back they were the white people.

The Creation

The Creation
Igorot

In the beginning there were no people on the earth.

Lumawig, the Great Spirit, came down from the sky and cut many reeds. He divided these into pairs which he placed in different parts of the world, and then he said to them, "You must speak."

Immediately the reeds became people, and in each place was a man and a woman who could talk, but the language of each couple differed from that of the others.

Then Lumawig commanded each man and woman to marry, which they did. By and by there were many children, all speaking the same language as their parents. These, in turn, married and had many children. In this way there came to be many people on the earth.

Now Lumawig saw that there were several things which the people on the earth needed to use, so he set to work to supply them. He created salt, and told the inhabitants of one place to boil it down and sell it to their neighbors. But these people could not understand the directions of the Great Spirit, and the next time he visited them, they had not touched the salt.

Then he took it away from them and gave it to the people of a place called Mayinit. These did as he directed, and because of this he told them that they should always be owners of the salt, and that the other peoples must buy of them.

Then Lumawig went to the people of Bontoc and told them to get clay and make pots. They got the clay, but they did not understand the molding, and the jars were not well shaped. Because of their failure, Lumawig told them that they would always have to buy their jars, and he removed the pottery to Samoki. When he told the people there what to do, they did just as he said, and their jars were well shaped and beautiful. Then the Great Spirit saw that they were fit owners of the pottery, and he told them that they should always make many jars to sell.

In this way Lumawig taught the people and brought to them all the things which they now have.

Source: Mabel Cook Cole, Philippine Folk Tales (Chicago: A. C. McClurg and Company, 1916), pp. 99-101.

Notes by Mabel Cook Cole:

  • Lumawig is the greatest of all spirits and now lives in the sky, though for a time his home was in the Igorot village of Bontoc. He married a Bontoc girl, and the stones of their house are still to be seen in the village. It was Lumawig who created the Igorot, and ever since he has taken a great interest in them, teaching them how to overcome the forces of nature, how to plant, to reap and, in fact, everything that they know. Once each month a ceremony is held in his honor in a sacred grove, whose trees are believed to have sprung from the graves of his children. Here prayers are offered for health, good crops, and success in battle. A close resemblance exists between Lumawig of the Igorot and Kaboniyan of the Tinguian, the former being sometimes called Kambun'yan.
  • The Bukidnon of Mindanao have the following story: During a great drought Mampolompon could grow nothing on his clearing except one bamboo, and during a high wind this was broken. From this bamboo came a dog and a woman, who were the ancestors of the Moro.
  • At the north end of the village of Mayinit are a number of brackish hot springs, and from these the people secure the salt which has made the spot famous for miles around. Stones are placed in the shallow streams flowing from these springs, and when they have become encrusted with salt (about once a month) they are washed and the water is evaporated by boiling. The salt, which is then a thick paste, is formed into cakes and baked near the fire for about half an hour, when it is ready for use. It is the only salt in this section, and is in great demand. Even hostile tribes come to a hill overlooking the town and call down, then deposit whatever they have for trade and withdraw, while the Igorot take up the salt and leave it in place of the trade articles.
  • The women of Samoki are known as excellent potters, and their ware is used over a wide area. From a pit on a hillside to the north of the village they dig a reddish-brown clay, which they mix with a bluish mineral gathered on another hillside. When thoroughly mixed, this clay is placed on a board on the ground, and the potter, kneeling before it, begins her molding. Great patience and skill are required to bring the vessel to the desired shape. When it is completed it is set in the sun to dry for two or three days, after which it is ready for the baking. The new pots are piled tier above tier on the ground and blanketed with grass tied into bundles. Then pine bark is burned beneath and around the pile for about an hour, when the ware is sufficiently fired. It is then glazed with resin and is ready to market.

How the World Was Made

How the World Was Made
This is the ancient Filipino account of the creation.

Thousands of years ago there was no land nor sun nor moon nor stars, and the world was only a great sea of water, above which stretched the sky. The water was the kingdom of the god Maguayan, and the sky was ruled by the great god Captan.

Maguayan had a daughter called Lidagat, the sea, and Captan had a son known as Lihangin, the wind. The gods agreed to the marriage of their children, so the sea became the bride of the wind.

Three sons and a daughter were born to them. The sons were called Licalibutan, Liadlao, and Libulan; and the daughter received the name of Lisuga.

Licalibutan had a body of rock and was strong and brave; Liadlao was formed of gold and was always happy; Libulan was made of copper and was weak and timid; and the beautiful Lisuga had a body of pure silver and was sweet and gentle. Their parents were very fond of them, and nothing was wanting to make them happy.

After a time Lihangin died and left the control of the winds to his eldest son Licalibutan. The faithful wife Lidagat soon followed her husband, and the children, now grown up, were left without father or mother. However, their grandfathers, Captan and Maguayan, took care of them and guarded them from all evil.

After a time, Licalibutan, proud of his power over the winds, resolved to gain more power, and asked his brothers to join him in an attack on Captan in the sky above. At first they refused; but when Licalibutan became angry with them, the amiable Liadlao, not wishing to offend his brother, agreed to help. Then together they induced the timid Libulan to join in the plan.

When all was ready the three brothers rushed at the sky, but they could not beat down the gates of steel that guarded the entrance. Then Licalibutan let loose the strongest winds and blew the bars in every direction. The brothers rushed into the opening, but were met by the angry god Captan. So terrible did he look that they turned and ran in terror; but Captan, furious at the destruction of his gates, sent three bolts of lightning after them.

The first struck the copper Libulan and melted him into a ball. The second struck the golden Liadlao, and he too was melted. The third bolt struck Licalibutan, and his rocky body broke into many pieces and fell into the sea. So huge was he that parts of his body stuck out above the water and became what is known as land.

In the meantime the gentle Lisuga had missed her brothers and started to look for them. She went toward the sky, but as she approached the broken gates, Captan, blind with anger, struck her too with lightning, and her silver body broke into thousands of pieces.

Captan then came down from the sky and tore the sea apart, calling on Maguayan to come to him and accusing him of ordering the attack on the sky. Soon Maguayan appeared and answered that he knew nothing of the plot as he had been asleep far down in the sea.

After a time he succeeded in calming the angry Captan. Together they wept at the loss of their grandchildren, especially the gentle and beautiful Lisuga; but with all their power they could not restore the dead to life. However, they gave to each body a beautiful light that will shine forever.

And so it was that golden Liadlao became the sun, and copper Libulan the moon, while the thousands of pieces of silver Lisuga shine as the stars of heaven. To wicked Licalibutan the gods gave no light, but resolved to make his body support a new race of people. So Captan gave Maguayan a seed, and he planted it on the land, which, as you will remember, was part of Licalibutan's huge body.

Soon a bamboo tree grew up, and from the hollow of one of its branches a man and a woman came out. The man's name was Sicalac, and the woman was called Sicabay. They were the parents of the human race. Their first child was a son whom they called Libo; afterwards they had a daughter who was known as Saman. Pandaguan was a younger son and he had a son called Arion.

Pandaguan was very clever and invented a trap to catch fish. The very first thing he caught was a huge shark. When he brought it to land, it looked so great and fierce that he thought it was surely a god, and he at once ordered his people to worship it. Soon all gathered around and began to sing and pray to the shark. Suddenly the sky and sea opened, and the gods came out and ordered Pandaguan to throw the shark back into the sea and to worship none but them.

All were afraid except Pandaguan. He grew very bold and answered that the shark was as big as the gods, and that since he had been able to overpower it he would also be able to conquer the gods. Then Captan, hearing this, struck Pandaguan with a small thunderbolt, for he did not wish to kill him but merely to teach him a lesson. Then he and Maguayan decided to punish these people by scattering them over the earth, so they carried some to one land and some to another. Many children were afterwards born, and thus the earth became inhabited in all parts.

Pandaguan did not die. After lying on the ground for thirty days he regained his strength, but his body was blackened from the lightning, and all his descendants ever since that day have been black.

His first son, Arion, was taken north, but as he had been born before his father's punishment he did not lose his color, and all his people therefore are white.

Libo and Saman were carried south, where the hot sun scorched their bodies and caused all their descendants to be of a brown color.

A son of Saman and a daughter of Sicalac were carried east, where the land at first was so lacking in food that they were compelled to eat clay. On this account their children and their children's children have always been yellow in color.

And so the world came to be made and peopled. The sun and moon shine in the sky, and the beautiful stars light up the night. All over the land, on the body of the envious Licalibutan, the children of' Sicalac and Sicabay have grown great in numbers. May they live forever in peace and brotherly love!

Source: John Maurice Miller, Philippine Folklore Stories (Boston: Ginn and Company, 1904), pp. 57-64.

Preface by John Maurice Miller (or his editor): As these stories are only legends that have been handed down from remote times, the teacher must impress upon the minds of the children that they are myths and are not to be given credence; otherwise the imaginative minds of the native children would accept them as truth, and trouble would be caused that might be hard to remedy. Explain then the fiction and show the children the folly of belief in such fanciful tales. (page 5)

Thursday, November 13, 2014

Jupiter And The Monkey

A short story for children by Aesop
An illustration for the story by the author Aesop

There was once a baby show among the Animals in the forest. Jupiter provided the prize. Of course all the proud mammas from far and near brought their babies. But none got there earlier than Mother Monkey. Proudly she presented her baby among the other contestants.

As you can imagine, there was quite a laugh when the Animals saw the ugly flat-nosed, hairless, pop-eyed little creature.

"Laugh if you will," said the Mother Monkey. "Though Jupiter may not give him the prize, I know that he is the prettiest, the sweetest, the dearest darling in the world."

Mother love is blind.

Hercules And The Wagoner

A short story for children by Aesop
An illustration for the story by the author Aesop

A Farmer was driving his wagon along a miry country road after a heavy rain. The horses could hardly drag the load through the deep mud, and at last came to a standstill when one of the wheels sank to the hub in a rut.

The farmer climbed down from his seat and stood beside the wagon looking at it but without making the least effort to get it out of the rut. All he did was to curse his bad luck and call loudly on Hercules to come to his aid. Then, it is said, Hercules really did appear, saying:

"Put your shoulder to the wheel, man, and urge on your horses. Do you think you can move the wagon by simply looking at it and whining about it? Hercules will not help unless you make some effort to help yourself."

And when the farmer put his shoulder to the wheel and urged on the horses, the wagon moved very readily, and soon the Farmer was riding along in great content and with a good lesson learned.

Self help is the best help.

Heaven helps those who help themselves.

Belling The Cat

A short story for children by Aesop
An illustration for the story by the author Aesop

The Mice once called a meeting to decide on a plan to free themselves of their enemy, the Cat. At least they wished to find some way of knowing when she was coming, so they might have time to run away. Indeed, something had to be done, for they lived in such constant fear of her claws that they hardly dared stir from their dens by night or day.

Many plans were discussed, but none of them was thought good enough. At last a very young Mouse got up and said:

"I have a plan that seems very simple, but I know it will be successful. All we have to do is to hang a bell about the Cat's neck. When we hear the bell ringing we will know immediately that our enemy is coming."

All the Mice were much surprised that they had not thought of such a plan before. But in the midst of the rejoicing over their good fortune, an old Mouse arose and said:

"I will say that the plan of the young Mouse is very good. But let me ask one question: Who will bell the Cat?"

It is one thing to say that something should be done, but quite a different matter to do it

A Raven And A Swan

A short story for children by Aesop
An illustration for the story by the author Aesop

A Raven, which you know is black as coal, was envious of the Swan, because her feathers were as white as the purest snow. The foolish bird got the idea that if he lived like the Swan, swimming and diving all day long and eating the weeds and plants that grow in the water, his feathers would turn white like the Swan's.

So he left his home in the woods and fields and flew down to live on the lakes and in the marshes. But though he washed and washed all day long, almost drowning himself at it, his feathers remained as black as ever. And as the water weeds he ate did not agree with him, he got thinner and thinner, and at last he died.

A change of habits will not alter nature.

The Wolf And The Kid

A short story for children by Aesop
An illustration for the story by the author Aesop

There was once a little Kid whose growing horns made him think he was a grown-up Billy Goat and able to take care of himself. So one evening when the flock started home from the pasture and his mother called, the Kid paid no heed and kept right on nibbling the tender grass. A little later when he lifted his head, the flock was gone.

He was all alone. The sun was sinking. Long shadows came creeping over the ground. A chilly little wind came creeping with them making scary noises in the grass. The Kid shivered as he thought of the terrible Wolf. Then he started wildly over the field, bleating for his mother. But not half-way, near a clump of trees, there was the Wolf!

The Kid knew there was little hope for him.

"Please, Mr. Wolf," he said trembling, "I know you are going to eat me. But first please pipe me a tune, for I want to dance and be merry as long as I can."

The Wolf liked the idea of a little music before eating, so he struck up a merry tune and the Kid leaped and frisked gaily.

Meanwhile, the flock was moving slowly homeward. In the still evening air the Wolf's piping carried far. The Shepherd Dogs pricked up their ears. They recognized the song the Wolf sings before a feast, and in a moment they were racing back to the pasture. The Wolf's song ended suddenly, and as he ran, with the Dogs at his heels, he called himself a fool for turning piper to please a Kid, when he should have stuck to his butcher's trade.

Do not let anything turn you from your purpose

The Tortoise And The Ducks

A short story for children by Aesop
An illustration for the story by the author Aesop

The Tortoise, you know, carries his house on his back. No matter how hard he tries, he cannot leave home. They say that Jupiter punished him so, because he was such a lazy stay-at-home that he would not go to Jupiter's wedding, even when especially invited.

After many years, Tortoise began to wish he had gone to that wedding. When he saw how gaily the birds flew about and how the Hare and the Chipmunk and all the other animals ran nimbly by, always eager to see everything there was to be seen, the Tortoise felt very sad and discontented. He wanted to see the world too, and there he was with a house on his back and little short legs that could hardly drag him along.

One day he met a pair of Ducks and told them all his trouble.

"We can help you to see the world," said the Ducks. "Take hold of this stick with your teeth and we will carry you far up in the air where you can see the whole countryside. But keep quiet or you will be sorry."

The Tortoise was very glad indeed. He seized the stick firmly with his teeth, the two Ducks took hold of it one at each end, and away they sailed up toward the clouds.

Just then a Crow flew by. He was very much astonished at the strange sight and cried:

"This must surely be the King of Tortoises!"

"Why certainly——" began the Tortoise.

But as he opened his mouth to say these foolish words he lost his hold on the stick, and down he fell to the ground, where he was dashed to pieces on a rock.

Foolish curiosity and vanity often lead to misfortune

The Story of An Hour

A SHORT STORY BY KATE CHOPIN

Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.

It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.

She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.

There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.

She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which someone was singing reached her faintly, and countless sparrows were twittering in the eaves.

There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.

She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams.

She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought.

There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air.

Now her bosom rose and fell tumultuously. She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: "free, free, free!" The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body.

She did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.

There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination.

And yet she had loved him--sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!

"Free! Body and soul free!" she kept whispering.

Josephine was kneeling before the closed door with her lips to the keyhole, imploring for admission. "Louise, open the door! I beg; open the door--you will make yourself ill. What are you doing, Louise? For heaven's sake open the door."

"Go away. I am not making myself ill." No; she was drinking in a very elixir of life through that open window.

Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.

She arose at length and opened the door to her sister's importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister's waist, and together they descended the stairs. Richards stood waiting for them at the bottom.

Someone was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of the accident, and did not even know there had been one. He stood amazed at Josephine's piercing cry; at Richards' quick motion to screen him from the view of his wife.

When the doctors came they said she had died of heart disease--of the joy that kills.

A Red Dress—1946

A SHORT STORY BY ALICE MUNRO

My mother was making me a dress. All through the month of November I would come from school and find her in the kitchen, surrounded by cut-up red velvet and scraps of tissue-paper pattern. She worked at an old treadle machine pushed up against the window to get the light, and also to let her look out, past the stubble fields and bare vegetable garden, to see who went by on the road. There was seldom anybody to see.

The red velvet material was hard to work with, it pulled, and the style my mother had chosen was not easy either. She was not really a good sewer. She liked to make things; that is different.

Whenever she could she tried to skip basting and pressing and she took no pride in the fine points of tailoring, the finishing of buttonholes and the overcasting of seams as, for instance, my aunt and my grandmother did. Unlike them she started off with an inspiration, a brave and dazzling idea; from that moment on, her pleasure ran downhill. In the first place she could never find a pattern to suit her. It was no wonder; there were no patterns made to match the ideas that blossomed in her head. She had made me, at various times when I was younger, a flowered organdie dress with a high Victorian neckline edged in scratchy lace, with a poke bonnet to match; a Scottish plaid outfit with a velvet jacket and tam; an embroidered peasant blouse worn with a full red skirt and black laced bodice. I had worn these clothes with docility, even pleasure, in the days when I was unaware of the world’s opinion. Now, grown wiser, I wished for dresses like those my friend Lonnie had, bought at Beale’s store.

I had to try it on. Sometimes Lonnie came home from school with me and she would sit on the couch watching. I was embarrassed by the way my mother crept around me, her knees creaking, her breath coming heavily. She muttered to herself. Around the house she wore no corset or stockings, she wore wedge-heeled shoes and ankle socks; her legs were marked with lumps of blue-green veins. I thought her squatting position shameless, even obscene; I tried to keep talking to Lonnie so that her attention would be taken away from my mother as much as possible. Lonnie wore the composed, polite, appreciative expression that was her disguise in the presence of grownups. She laughed at them and was a ferocious mimic, and they never knew.

My mother pulled me about, and pricked me with pins. She made me turn around, she made me walk away, she made me stand still. “What do you think of it, Lonnie?” she said around the pins in her mouth.

“It’s beautiful,” said Lonnie, in her mild, sincere way. Lonnie’s own mother was dead. She lived with her father who never noticed her, and this, in my eyes, made her seem both vulnerable and privileged.
“It will be, if I can ever manage the fit,” my mother said. “Ah, well,” she said theatrically, getting to her feet with a woeful creaking and sighing, “I doubt if she appreciates it.” She enraged me, talking like this to Lonnie, as if Lonnie were grown up and I were still a child. “Stand still,” she said, hauling the pinned and basted dress over my head. My head was muffled in velvet, my body exposed, in an old cotton school slip. I felt like a great raw lump, clumsy and goose-pimpled. I wished I was like Lonnie, light-boned, pale and thin; she had been a Blue Baby.

“Well nobody ever made me a dress when I was going to high school,” my mother said, “I made my own, or I did without.” I was afraid she was going to start again on the story of her walking seven miles to town and finding a job waiting on tables in a boarding-house, so that she could go to high school. All the stories of my mother’s life which had once interested me had begun to seem melodramatic, irrelevant, and tiresome.

“One time I had a dress given to me,” she said. “It was a cream-coloured cashmere wool with royal blue piping down the front and lovely mother-of-pearl buttons, I wonder what ever became of it?”
When we got free Lonnie and I went upstairs to my room. It was cold, but we stayed there. We talked about the boys in our class, going up and down the rows and saying, “Do you like him? Well, do you half-like him? Do you hate him? Would you go out with him if he asked you?” Nobody had asked us. We were thirteen, and we had been going to high school for two months. We did questionnaires in magazines, to find out whether we had personality and whether we would be popular. We read articles on how to make up our faces to accentuate our good points and how to carry on a conversation on the first date and what to do when a boy tried to go too far. Also we read articles on frigidity of the menopause, abortion and why husbands seek satisfaction away from home. When we were not doing school work, we were occupied most of the time with the garnering, passing on and discussing of sexual information. We had made a pact to tell each other everything. But one thing I did not tell was about this dance, the high school Christmas Dance for which my mother was making me a dress. It was that I did not want to go.

At high school I was never comfortable for a minute. I did not know about Lonnie. Before an exam, she got icy hands and palpitations, but I was close to despair at all times. When I was asked a question in class, any simple little question at all, my voice was apt to come out squeaky, or else hoarse and trembling. When I had to go to the blackboard I was sure—even at a time of the month when this could not be true—that I had blood on my skirt. My hands became slippery with sweat when they were required to work the blackboard compass. I could not hit the ball in volleyball; being called upon to perform an action in front of others made all my reflexes come undone. I hated Business Practice because you had to rule pages for an account book, using a straight pen, and when the teacher looked over my shoulder all the delicate lines wobbled and ran together. I hated Science; we perched on stools under harsh lights behind tables of unfamiliar, fragile equipment, and were taught by the principal of the school, a man with a cold, self-relishing voice—he read the Scriptures every morning—and a great talent for inflicting humiliation. I hated English because the boys played bingo at the back of the room while the teacher, a stout, gentle girl, slightly cross-eyed, read Wordsworth at the front. She threatened them, she begged them, her face red and her voice as unreliable as mine. They offered burlesqued apologies and when she started to read again they took up rapt postures, made swooning faces, crossed their eyes, flung their hands over their hearts. Sometimes she would burst into tears, there was no help for it, she had to run out into the hall. Then the boys made loud mooing noises; our hungry laughter—oh, mine too—pursued her. There was a carnival atmosphere of brutality in the room at such times, scaring weak and suspect people like me.

But what was really going on in the school was not Business Practice and Science and English, there was something else that gave life its urgency and brightness. That old building, with its rock-walled clammy basements and black cloakrooms and pictures of dead royalties and lost explorers, was full of the tension and excitement of sexual competition, and in this, in spite of daydreams of vast successes, I had premonitions of total defeat. Something had to happen, to keep me from that dance.

With December came snow, and I had an idea. Formerly I had considered falling off my bicycle and spraining my ankle and I had tried to manage this, as I rode home along the hard-frozen, deeply rutted country roads. But it was too difficult. However, my throat and bronchial tubes were supposed to be weak; why not expose them? I started getting out of bed at night and opening my window a little. I knelt down and let the wind, sometimes stinging with snow, rush in around my bared throat. I took off my pajama top. I said to myself the words “blue with cold” and as I knelt there, my eyes shut, I pictured my chest and throat turning blue, the cold, greyed blue of veins under the skin. I stayed until I could not stand it any more, and then I took a handful of snow from the windowsill and smeared it all over my chest, before I buttoned my pajamas. It would melt against the flannelette and I would be sleeping in wet clothes, which was supposed to be the worst thing of all. In the morning, the moment I woke up, I cleared my throat, testing for soreness, coughed experimentally, hopefully, touched my forehead to see if I had fever. It was no good. Every morning, including the day of the dance, I rose defeated, and in perfect health.

The day of the dance I did my hair up in steel curlers. I had never done this before, because my hair was naturally curly, but today I wanted the protection of all possible female rituals. I lay on the couch in the kitchen, reading The Last Days of Pompeii, and wishing I was there. My mother, never satisfied, was sewing a white lace collar on the dress; she had decided it was too grown-up looking. I watched the hours. It was one of the shortest days of the year. Above the couch, on the wallpaper, were old games of Xs and Os, old drawings and scribblings my brother and I had done when we were sick with bronchitis. I looked at them and longed to be back safe behind the boundaries of childhood.
When I took out the curlers my hair, both naturally and artificially stimulated, sprang out in an exuberant glossy bush. I wet it, I combed it, beat it with the brush and tugged it down along my cheeks. I applied face powder, which stood out chalkily on my hot face. My mother got out her Ashes of Roses Cologne, which she never used, and let me splash it over my arms. Then she zipped up the dress and turned me around to the mirror. The dress was princess style, very tight in the midriff. I saw how my breasts, in their new stiff brassiere, jutted out surprisingly, with mature authority, under the childish frills of the collar.

“Well I wish I could take a picture,” my mother said. “I am really, genuinely proud of that fit. And you might say thank you for it.”

“Thank you,” I said.

The first thing Lonnie said when I opened the door to her was, “Jesus, what did you do to your hair?”
“I did it up.”

“You look like a Zulu. Oh, don’t worry. Get me a comb and I’ll do the front in a roll. It’ll look all right. It’ll even make you look older.”

I sat in front of the mirror and Lonnie stood behind me, fixing my hair. My mother seemed unable to leave us. I wished she would. She watched the roll take shape and said, “You’re a wonder, Lonnie. You should take up hairdressing.”

“That’s a thought,” Lonnie said. She had on a pale blue crepe dress, with a peplum and bow; it was much more grown-up than mine even without the collar. Her hair had come out as sleek as the girl’s on the bobby-pin card. I had always thought secretly that Lonnie could not be pretty because she had crooked teeth, but now I saw that crooked teeth or not, her stylish dress and smooth hair made me look a little like a golliwog, stuffed into red velvet, wide-eyed, wild-haired, with a suggestion of delirium.

My mother followed us to the door and called out into the dark, “Au reservoir!” This was a traditional farewell of Lonnie’s and mine; it sounded foolish and desolate coming from her, and I was so angry with her for using it that I did not reply. It was only Lonnie who called back cheerfully, encouragingly, “Good night!”

The gymnasium smelled of pine and cedar. Red and green bells of fluted paper hung from the basketball hoops; the high, barred windows were hidden by green boughs. Everybody in the upper grades seemed to have come in couples. Some of the Grade Twelve and Thirteen girls had brought boy friends who had already graduated, who were young businessmen around the town. These young men smoked in the gymnasium, nobody could stop them, they were free. The girls stood beside them, resting their hands casually on male sleeves, their faces bored, aloof and beautiful. I longed to be like that. They behaved as if only they—the older ones—were really at the dance, as if the rest of us, whom they moved among and peered around, were, if not invisible, inanimate; when the first dance was announced—a Paul Jones—they moved out languidly, smiling at each other as if they had been asked to take part in some half-forgotten childish game. Holding hands and shivering, crowding up together, Lonnie and I and the other Grade Nine girls followed.

I didn’t dare look at the outer circle as it passed me, for fear I should see some unmannerly hurrying-up. When the music stopped I stayed where I was, and half-raising my eyes I saw a boy named Mason Williams coming reluctantly towards me. Barely touching my waist and my fingers, he began to dance with me. My legs were hollow, my arm trembled from the shoulder, I could not have spoken. This Mason Williams was one of the heroes of the school; he played basketball and hockey and walked the halls with an air of royal sullenness and barbaric contempt. To have to dance with a nonentity like me was as offensive to him as having to memorize Shakespeare. I felt this as keenly as he did, and imagined that he was exchanging looks of dismay with his friends. He steered me, stumbling, to the edge of the floor. He took his hand from my waist and dropped my arm.

“See you,” he said. He walked away.

It took me a minute or two to realize what had happened and that he was not coming back. I went and stood by the wall alone. The Physical Education teacher, dancing past energetically in the arms of a Grade Ten boy, gave me an inquisitive look. She was the only teacher in the school who made use of the words social adjustment, and I was afraid that if she had seen, or if she found out, she might make some horribly public attempt to make Mason finish out the dance with me. I myself was not angry or surprised at Mason; I accepted his position, and mine, in the world of school and I saw that what he had done was the realistic thing to do. He was a Natural Hero, not a Student Council type of hero bound for success beyond the school; one of those would have danced with me courteously and patronizingly and left me feeling no better off. Still, I hoped not many people had seen. I hated people seeing. I began to bite the skin on my thumb.

When the music stopped I joined the surge of girls to the end of the gymnasium. Pretend it didn’t happen, I said to myself. Pretend this is the beginning, now.

The band began to play again. There was movement in the dense crowd at our end of the floor, it thinned rapidly. Boys came over, girls went out to dance. Lonnie went. The girl on the other side of me went. Nobody asked me. I remembered a magazine article Lonnie and I had read, which said Be gay! Let the boys see your eyes sparkle, let them hear laughter in your voice! Simple, obvious, but how many girls forget! It was true, I had forgotten. My eyebrows were drawn together with tension, I must look scared and ugly. I took a deep breath and tried to loosen my face. I smiled. But I felt absurd, smiling at no one. And I observed that girls on the dance floor, popular girls, were not smiling; many of them had sleepy, sulky faces and never smiled at all.

Girls were still going out to the floor. Some, despairing, went with each other. But most went with boys. Fat girls, girls with pimples, a poor girl who didn’t own a good dress and had to wear a skirt and sweater to the dance; they were claimed, they danced away. Why take them and not me? Why everybody else and not me? I have a red velvet dress, I did my hair in curlers, I used a deodorant and put on cologne. Pray, I thought. I couldn’t close my eyes but I said over and over again in my mind, Please, me, please, and I locked my fingers behind my back in a sign more potent than crossing, the same secret sign Lonnie and I used not to be sent to the blackboard in Math.

It did not work. What I had been afraid of was true. I was going to be left. There was something mysterious the matter with me, something that could not be put right like bad breath or overlooked like pimples, and everybody knew it, and I knew it; I had known it all along. But I had not known it for sure, I had hoped to be mistaken. Certainty rose inside me like sickness. I hurried past one or two girls who were also left and went into the girls’ washroom. I hid myself in a cubicle.

That was where I stayed. Between dances girls came in and went out quickly. There were plenty of cubicles; nobody noticed that I was not a temporary occupant. During the dances, I listened to the music which I liked but had no part of any more. For I was not going to try any more. I only wanted to hide in here, get out without seeing anybody, get home.

One time after the music started somebody stayed behind. She was taking a long time running the water, washing her hands, combing her hair. She was going to think it funny that I stayed in so long. I had better go out and wash my hands, and maybe while I was washing them she would leave.

It was Mary Fortune. I knew her by name, because she was an officer of the Girls’ Athletic Society and she was on the Honour Roll and she was always organizing things. She had something to do with organizing this dance; she had been around to all the classrooms asking for volunteers to do the decorations. She was in Grade Eleven or Twelve.

“Nice and cool in here,” she said. “I came in to get cooled off. I get so hot.”

She was still combing her hair when I finished my hands. “Do you like the band?” she said.

“It’s all right.” I didn’t really know what to say. I was surprised at her, an older girl, taking this time to talk to me.

“I don’t. I can’t stand it. I hate dancing when I don’t like the band. Listen. They’re so choppy. I’d just as soon not dance as dance to that.”

I combed my hair. She leaned against a basin, watching me.

“I don’t want to dance and don’t particularly want to stay in here. Let’s go and have a cigarette.”

“Where?”

“Come on, I’ll show you.”

At the end of the washroom there was a door. It was unlocked and led into a dark closet full of mops and pails. She had me hold the door open, to get the washroom light, until she found the knob of another door. This door opened into darkness.

“I can’t turn on the light or somebody might see,” she said. “It’s the janitor’s room.” I reflected that athletes always seemed to know more than the rest of us about the school as a building; they knew where things were kept and they were always coming out of unauthorized doors with a bold, preoccupied air. “Watch out where you’re going,” she said. “Over at the far end there’s some stairs. They go up to a closet on the second floor. The door’s locked at the top, but there’s like a partition between the stairs and the room. So if we sit on the steps, even if by chance someone did come in here, they wouldn’t see us.”

“Wouldn’t they smell smoke?” I said.

“Oh, well. Live dangerously.”

There was a high window over the stairs which gave us a little light. Mary Fortune had cigarettes and matches in her purse. I had not smoked before except the cigarettes Lonnie and I made ourselves, using papers and tobacco stolen from her father; they came apart in the middle. These were much better.

“The only reason I even came tonight,” Mary Fortune said, “is because I am responsible for the decorations and I wanted to see, you know, how it looked once people got in there and everything. Otherwise why bother? I’m not boy-crazy.”

In the light from the high window I could see her narrow, scornful face, her dark skin pitted with acne, her teeth pushed together at the front, making her look adult and commanding.
“Most girls are. Haven’t you noticed that? The greatest collection of boy-crazy girls you could imagine is right here in this school.”

I was grateful for her attention, her company and her cigarette. I said I thought so too.
“Like this afternoon. This afternoon I was trying to get them to hang the bells and junk. They just get up on the ladders and fool around with boys. They don’t care if it ever gets decorated. It’s just an excuse. That’s the only aim they have in life, fooling around with boys. As far as I’m concerned, they’re idiots.”

We talked about teachers, and things at school. She said she wanted to be a physical education teacher and she would have to go to college for that, but her parents did not have enough money. She said she planned to work her own way through, she wanted to be independent anyway, she would work in the cafeteria and in the summer she would do farm work, like picking tobacco. Listening to her, I felt the acute phase of my unhappiness passing. Here was someone who had suffered the same defeat as I had—I saw that—but she was full of energy and self-respect. She had thought of other things to do. She would pick tobacco.

We stayed there talking and smoking during the long pause in the music, when, outside, they were having doughnuts and coffee. When the music started again Mary said, “Look, do we have to hang around here any longer? Let’s get our coats and go. We can go down to Lee’s and have a hot chocolate and talk in comfort, why not?”

We felt our way across the janitor’s room, carrying ashes and cigarette butts in our hands. In the closet, we stopped and listened to make sure there was nobody in the washroom. We came back into the light and threw the ashes into the toilet. We had to go out and cut across the dance-floor to the cloakroom, which was beside the outside door.

A dance was just beginning. “Go round the edge of the floor,” Mary said. “Nobody’ll notice us.”

I followed her. I didn’t look at anybody. I didn’t look for Lonnie. Lonnie was probably not going to be my friend any more, not as much as before anyway. She was what Mary would call boy-crazy.

I found that I was not so frightened, now that I had made up my mind to leave the dance behind. I was not waiting for anybody to choose me. I had my own plans. I did not have to smile or make signs for luck. It did not matter to me. I was on my way to have a hot chocolate, with my friend.

A boy said something to me. He was in my way. I thought he must be telling me that I had dropped something or that I couldn't go that way or that the cloakroom was locked. I didn't understand that he was asking me to dance until he said it over again. It was Raymond Bolting from our class, whom I had never talked to in my life. He thought I meant yes. He put his hand on my waist and almost without meaning to, I began to dance.

We moved to the middle of the floor. I was dancing. My legs had forgotten to tremble and my hands to sweat. I was dancing with a boy who had asked me. Nobody told him to, he didn't have to, he just asked me. Was it possible, could I believe it, was there nothing the matter with me after all?

I thought that I ought to tell him there was a mistake, that I was just leaving, I was going to have a hot chocolate with my girl friend. But I did not say anything. My face was making certain delicate adjustments, achieving with no effort at all the grave absent-minded look of these who were chosen, those who danced. This was the face that Mary Fortune saw, when she looked out of the cloakroom door, her scarf already around her head. I made a weak waving motion with the hand that lay on the boy’s shoulder, indicating that I apologized, that I didn’t know what had happened and also that it was no use waiting for me. Then I turned my head away, and when I looked again she was gone.

Raymond Bolting took me home and Harold Simons took Lonnie home. We all walked together as far as Lonnie’s corner. The boys were having an argument about a hockey game, which Lonnie and I could not follow. Then we separated into couples and Raymond continued with me the conversation he had been having with Harold. He did not seem to notice that he was now talking to me instead. Once or twice I said, “Well I don’t know I didn’t see that game,” but after a while I decided just to say, “H’m, hmm,” and that seemed to be all that was necessary.

One other thing he said was, “I didn’t realize you lived such a long ways out.” And he sniffled. The cold was making my nose run a little too, and I worked my fingers through the candy wrappers in my coat pocket until I found a shabby Kleenex. I didn’t know whether I ought to offer it to him or not, but he sniffled so loudly that I finally said, “I just have this one Kleenex, it probably isn’t even clean, it probably has ink on it. But if I was to tear it in half we’d each have something.”

“Thanks,” he said. “I sure could use it.”

It was a good thing, I thought, that I had done that, for at my gate, when I said, “Well, good night,” and after he said, “Oh, yeah. Good night,” he leaned towards me and kissed me, briefly, with the air of one who knew his job when he saw it, on the corner of my mouth. Then he turned back to town, never knowing he had been my rescuer, that he had brought me from Mary Fortune’s territory into the ordinary world.

I went around the house to the back door, thinking, I have been to a dance and a boy has walked me home and kissed me. It was all true. My life was possible. I went past the kitchen window and I saw my mother. She was sitting with her feet on the open oven door, drinking tea out of a cup without a saucer. She was just sitting and waiting for me to come home and tell her everything that had happened. And I would not do it, I never would. But when I saw the waiting kitchen, and my mother in her faded, fuzzy Paisley kimono, with her sleepy but doggedly expectant face, I understood what a mysterious and oppressive obligation I had, to be happy, and how I had almost failed it, and would be likely to fail it, every time, and she would not know.

From Dance of the Happy Shades: And Other Stories (Vintage, 1998). Reprinted by permission of The Random House Group Limited.

 
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